Anna asks herself "By continuing to occupy this lovely man while giving him neither children nor a public companion nor a welcoming home - do I do wrong?" Anna brings us into the dark with her, a place from which we emerge to see love, and the world, anew. But she cannot enjoy a normal life with him, cannot go out in the day, and even making love is uniquely awkward. In many ways he is Anna's savior, offering her shelter from the light in his home. And throughout there is her relationship with Pete. During periods of relative remission she can venture cautiously out at dawn and dusk, into a world that, from the perspective of her normally cloistered existence, is filled with remarkable beauty. Now, when her symptoms are at their worst, she must spend months on end in a blacked-out room, losing herself in audio books and elaborate word games in an attempt to ward off despair. It is an unmissable love letter to the parts of our world that so often go unnoticed her emotional ode to the quiet and small things will affect you well beyond the last page. The reaction soon spread to her entire body. Anna Lyndsey's memoir opens the door to not just a life without light, but really, instructions to a life lived in the dark. Soon this progressed to an intolerance of fluorescent light, then of sunlight itself. But then she started to develop worrying symptoms: her face felt like it was burning whenever she was in front of the computer. She was ambitious and worked hard she had just bought an apartment she was falling in love.
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